Sharing Music Sharing Culture

Sharing Music Sharing Culture

Mark O'Connor with Frankie Gavin and WSU string students Videoconference with the Irish World Music Center
Mark O’Connor with Frankie Gavin and WSU string students Videoconference with the Irish World Music Center
Mark O'Connor with Frankie Gavin and WSU string students Videoconference with the Irish World Music Center
Mark O’Connor with Frankie Gavin and WSU string students Videoconference with the Irish World Music Center

Through four grants I headed Sharing Music Sharing Culture (SMSC), a Wichita State University (WSU) initiative exploring how global learning can integrate with the current WSU music curriculum to transform both what and how we learn about music and culture.

During the fall 2003 semester, two WSU string improvisation classes from the String Improvisation Department I founded interacted with students and professors at the University of Limerick’s Irish World Music Center using videoconferencing and on other online social networking tools. Students at the Irish World Music Center taught WSU students how to play Irish Fiddle music while students at WSU taught their colleagues at the Irish World Music Center how to play jazz and blues.

The premise behind SMSC was that videoconferencing might be a poor substitute for one-to-one contact on the individual level but could provide insight otherwise not possible on the community level. For example, students at WSU could have perhaps more successfully learned Irish Fiddle from a specialist who could visit the school personally. What they would miss, however, is the community interaction of that expert in his or her naturally expressed environment such as the Irish World Music Center.

On the other hand, videoconferencing made it possible for WSU students to peek into the Irish World Music Center itself and witness how the students and faculty express themselves both to us and to each other. The students at the Irish World Music Center had the same opportunities to witness the Wichita State University students and community.

As is the case with many of my projects, SMSC was based on a community learning model. Students were responsible for working together to design the curriculum, create instructional videos, and run the videoconferences. Moreover, SMSC had the added dimension of offering perspective into another culture.

Similar Posts

  • SoundScratch

    SoundScratch is a set of extensions I wrote to manipulate audio in a children’s programming language called Scratch. The environment emphasizes the expressive capabilities of sound through the act of creation and design.

  • Build Day

    As founding Director of WSU’s Center for Research in Arts, Technology, Education and Learning (CRATEL) I hosted Build Day every Friday. On Build Day, CRATEL was open to visitors, volunteers, or anybody who wanted to come by, chat, or build something.

  • SoundBlocks

    SoundBlocks is a tangible environment where youth connect blocks to describe network dataflow. The environment explores digital sound manipulation as a personal, meaningful and fun artistic endeavor, rather than as a venture into mathematical, electronic or networking relationships.

  • Strings, Kansas!

    In fall 2006 I launched an initiative at WSU called Strings, Kansas! A distance-learning-enhanced program, Strings, Kansas! connected WSU School of Music string students with 4th and 5th graders in communities without string programs. WSU string students created, designed, and implemented the curriculum for the 4th and 5th graders.

  • Digital Puppetry

    I worked with a team of colleagues, community members, and urban youth. Our intention was to help the youth learn in a playful environment, find personal self-expression, and have their voices heard by communities in Boston. To do this, we adapted commercially available technology to provide a unique medium: digital puppetry.