Technology: Art and Sound by Design

From 2006 through 2009 I taught Technology: Art and Sound by Design (TASD). The course consisted of lectures and labs with a focus on artistic philosophy and its application through technology. In the course students built circuits and interfaced them to computers, considering how these might contribute to their own artistic creations.

Lectures included guests from artistic and technical disciplines who stimulated conversations about art, taught about electronics, and challenged common assumptions regarding the relationship between the two. Labs gave a practical, friendly introduction to building circuits and working with sensors.

The course ended with final projects, each built by a small team of engineering and art students, all installed in a local art gallery. The shows featuring these final projects were named Wired, and were popular, consistently drawing more than 1,000 people on opening night.

Similar Posts

  • Assembly Language Programming

    In the Spring of 2008 I taught Wichita State University’s Assembly Language Programming for Engineers course. As explained in the syllabus, the course used the Z80 microprocessor and the GameBoy platform to introduce general concepts of computer architecture, machine and assembly language programming. Students practiced the ideas and concepts introduced in the course with programming…

  • SoundScratch

    SoundScratch is a set of extensions I wrote to manipulate audio in a children’s programming language called Scratch. The environment emphasizes the expressive capabilities of sound through the act of creation and design.

  • Digital Puppetry

    I worked with a team of colleagues, community members, and urban youth. Our intention was to help the youth learn in a playful environment, find personal self-expression, and have their voices heard by communities in Boston. To do this, we adapted commercially available technology to provide a unique medium: digital puppetry.

  • String Improvation

    In 2001 I founded Wichita State University’s String Improvisation Department and established WSU’s yearly String Improvisation Day each year, an introduction to string improvisation for string players who had little or no experience with improvisation. I then expanded our String Improvisation program with a new grant-funded initiative: Sharing Music Sharing Culture (SMSC) which connected The Irish World Music Center students and faculty with WSU.