Gameboy Hardware Interfacing

Gameboy Hardware Interfacing

After writing Doubletalk, I knew the Gameboy had great potential for musicians. Specifically, if a hardware interface could further extend the Gameboy’s audio input/output capabilities, the platform offered possibilities as a programmable metronome or alternative instrument.

Hardware interface to Nintendo Gameboy
Hardware interface to Nintendo Gameboy
Hardware interface to Nintendo Gameboy
Hardware interface to Nintendo Gameboy

To further explore this idea, I built a connector to access the Gameboy circuitry using a solderless breadboard. With this connector and breadboard, I successfully interfaced flash memory and an 8-bit Digital to Analog Convertor (DAC) to the Gameboy.

This experience inspired me to use the Gameboy as the platform for an assembly language programming course I taught at Wichita State University in 2008.

Similar Posts

  • Ghost in the Machine

    Originally conceived in 2008, Ghost in the Machine (GITM) consists of a webcam and display which mixes and crossfades events in realtime with motion-activated video it has recorded previously. It continually shifts between 3 states: individual, community, and the world. GITM has been shown in many venues and contexts.

  • Microphone with proximity detection

    Around 2004 I developed a few protoype microphones enhanced to also offer proximity detection. The microphone could adjust it’s amplitude and bass response based on the proximity of the person using it. This would lessen the variable results users experience when holding a microphone too close or too far. Moreover, with proximity or its derivative mapped to a combination…

  • TechArtICT: Whispering Woodlands

    Whispering Woodlands was an outdoor installation created by TechArtICT. It was installed at Exploration Place in Wichita, Kansas from November 2023 through January 2024. The work featured 24 independently controlled sets of speakers and LEDs, all synchronized to create an immersive sound and lightscape. Using eclectic audio ranging from thunder and rain to spaceships and…

  • Still Life

    In 2011, as part of Hack.Art.Lab, I collaborated with composer Mary Ellen Childs and percussionist Michael Holland to create live animation triggered by live performance of Mary Ellen Childs’ composition “Still Life.” We analyzed the piece into 11 sections and created algorithmic video triggered by sound and motion to match each of the 11 sections. The video was projected…

  • Auralis

    Auralis is a musical instrument constructed from a multitouch table and custom software ported from my earlier touch wall Touch #2. Merging sound, interactivity, and sequencing, Auralis is simultaneously engaging, meditative and soothing. I created the work for youth ages 8-14. A virtual world of suns, stars and planets interact with each other. Participants run…

  • Ballet Wichita: Innovations

    As part of the Ballet Wichita’s Innovations performance April 2024 I teamed up with Wichita State University’s Shocker Studios to track a dancer live, reinterpreting their motions on a stage-sized display behind them. Wichita State University’s Fairmount String Trio accompanied the dance, performing Dohnányi’s Serenade. To track the dancer we used 3 Vive 3.0 trackers…