Chord Recognition in Beatles Songs

Chord Recognition in Beatles Songs

While a graduate student at MIT’s Media Lab, I collaborated with office-mate Vi­ctor Adán to explore how if we might train a machine to recognize chord changes in music. We tried multiple models to solve the problem, including Support Vector Machines, Neural Networks, Hidden Markov Models, and a few variations of Maximum Likelihood systems.

We chose Beatles tunes as a subset of the larger problem and trained our systems with 16 songs from three of their albums. Our systems processed 2700 training samples, 150 validation samples, and 246 testing samples. Our most successful system, a Support Vector Machine, achieved 68% accuracy in testing.

Our intention was to further the research which will lead to applications such as automatic transcription, live tracking for improvisation, and computer-assisted (synthetic) performers. Our models were an extension of the research provided by the following papers:

  • Musical Key Extraction from Audio, Steffen Pauws
  • Chord Segmentation and Recognition using EM-Trained Hidden Markov Models, Alexander Sheh and Daniel P.W. Ellis
  • SmartMusicKIOSK: Music Listening Station with Chorus-Search Function, Masataka Goto
  • A Chorus-Section Detecting Method for Musical Audio Signals, Masataka Goto

Main Website

Similar Posts

  • Auralis

    Auralis is a musical instrument constructed from a multitouch table and custom software ported from my earlier touch wall Touch #2. Merging sound, interactivity, and sequencing, Auralis is simultaneously engaging, meditative and soothing. I created the work for youth ages 8-14. A virtual world of suns, stars and planets interact with each other. Participants run…

  • Digital Puppetry

    I worked with a team of colleagues, community members, and urban youth. Our intention was to help the youth learn in a playful environment, find personal self-expression, and have their voices heard by communities in Boston. To do this, we adapted commercially available technology to provide a unique medium: digital puppetry.

  • Contrapuntal Composer

    Contrapuntal Composer is Prolog code which writes music for three simultaneous voices. Depending on initial parameters, it can write a fugue, a rondo, or any other contrapuntal form. Contrapuntal Composer obeys the rules of good voice leading within each voice and between the voices.

  • Touch #1

    In 2012 I created my first interactive touch wall: Touch #1. The work built on my experience creating the visuals for Still Life and was largely inspired by seeing autistic children experiencing pure joy while interacting in an immersive environment. Touch #1 received a great response and was later installed at Exploration Place and at…

  • DoubleTalk

    Doubletalk, a two player audio-manipulation game was my first serious endeaver with the Gameboy. The game used the Pocketvoice, a Gameboy cartridge with a built-in amplified speaker and microphone. In Doubletalk, players record themselves, reverse their recordings, then try to guess what each other is saying.